 |  |
| Home | News | Sitemap | Contact | Impressum | Members Area |
| Search: |
|
| Composers | |||||||||
| Simon Barber | |||||||||
| Ralf Bauer | |||||||||
| Ralf Berlage | |||||||||
| Wendelin Bitzan | |||||||||
| Peter Michael Braun | |||||||||
| Markus Brylka | |||||||||
| Thomas Buchholz | |||||||||
| Max Doehlemann | |||||||||
| Matthias Drude | |||||||||
| Patrick Ehrich | |||||||||
| Veit Erdmann-Abele | |||||||||
| Jorge García del Valle Méndez | |||||||||
| Ekkehard Götz | |||||||||
| Fabio Grasso | |||||||||
| Steven Heelein | |||||||||
| Rainer Hilgers | |||||||||
| Erik Janson | |||||||||
| Friedrich Heinrich Kern | |||||||||
| David Kosviner | |||||||||
| Peter Köszeghy | |||||||||
| Markus W. Kropp | |||||||||
| Michael Krücker | |||||||||
| Jan F. Kurth | |||||||||
| Daniel Menna | |||||||||
| Henry Mex | |||||||||
| Peter Motzkus | |||||||||
| Marius Müller | |||||||||
| Gerhard Noetzel | |||||||||
| Daniel Osorio | |||||||||
| Christoph Pola | |||||||||
| Agnes Ponizil | |||||||||
| Tobias Eduard Schick | |||||||||
| Michael Starke | |||||||||
| Steel Stylianou | |||||||||
| Andreas Tsiartas | |||||||||
| Hakan Ulus | |||||||||
| Jakob M. von Verschuer | |||||||||
| Johannes Sebastian Voit | |||||||||
| Christof Weitenberg | |||||||||
| Nikola Lea Wulz | |||||||||
| Dafina S. Zeqiri | |||||||||
| Khadija Zeynalova |
|
Markus Brylka
(1967 in Essen/Germany)
Markus Brylka began learning the piano at the age of six. In addition to that he had lessons on the organ, clarinet and violin until 1986. First compositions appeared in 1983 and in 1984 the first LP recordings. He studied music (piano, pedagogy, composition and singing) from 1988-1994 at the Folkwang-Hochschule in Essen-Werden.Since 1994 has been self-employed as piano teacher, owner and webmaster of the domain www.iapg.de (Internationale-Allan-Pettersson Gesellschaft International Allan Pettersson Society). 1991/92 publication of “Kompositionsarbeit und Formdenken bei Allan Pettersson” (ISBN 3-89727-197-4). Since 1983 a continually growing oeuvre of compositions focusing on symphonic works and piano. The realisation of orchestral music began initially as MIDI, later as sound collages and currently (since 2008) with help from the Vienna Symphonic Library which facilitates a very natural orchestral sound on the PC.
Quote: „I aim for music which, similar to a painting, is composed and performed in every detail by me. With the help of the latest software and fast computers music can be designed to be directly heard without the previously necessary detour via a real orchestra. My music is a confession, a “song without words”, without extra-musical content but pursuing the idea of a narrated story. It is absolute music which should stimulate the imagination of the listener”.
The following URL contains a list of works in chronological order which can be listened to: www.opus100.de
Quote: „Chronology is the fundament in the creation of all works. Every new piece is related to all pieces which have gone before and results out of them. The creative process of each piece also takes place chronologically from the first to last bar. My music is similar to a plant which develops and grows from a sprout.”
Best known works are:
Chanson (1994) für 2 Klaviere und Bandoneon
Salut to A.P. (1997) für Orchester
Danse Phantastique (1997) für kleines Ensemble
Lux Aeterna (1999) für Chor und Orchester
Scene (2000) für Orchester
Didididit (2002) für Vibraphon und Zusatzinstrumente
Die Musik des Erich Zann (2004) für großes Orchester
Thursday Thunderwaltz (2006) für 2 Klaviere
Wien (2008) für Cello solo und Streichorchester
Atem des herannahenden Frühlings (2008) für Orchester
Passion (2008) für Cello und Klavier
Theodoro san Dolore. Aus dem Leben eines Clowns (2008) für Saxophon, Klavier und Orchester
Last Update 2008-10-06 | CopyrightŠ Johannes Voit 2006 | 
| 
|  |
 |
 |
| Site activity: | |||||||||
|
|||||||||